(Multi Camera.1920x1080. runtime 20:33. MP4) A tough and strong inflatable house, a sharp pointer tool and Emma ready to put the hard work in to destroy it by putting lots and lots of small holes into the various sections of the house. Emma said she wanted to destroy this slowly and so we let her. You can see the smiles and glimpses of glee on her face as she gently uses the tool to pop the house. It took Emma alot of effort to squeeze all the air out of the small holes but she made this her mission and she succeeded. The main camera in this production zooms to different views whilst the frame sometimes switches to a very wide angle camera that remains still. There are a few sections of slow motion thrown into this production but they are very short and not very often at all. They've been added in simply for variety and are genuine slow motion and not just regular footage slowed down. This clip will appeal to those who like to watch the struggle and although every so often Emma will rip a larger hole to quickly let some air out, the majority of this clip is the systematic destruction through small holes.

(Single Camera.1920x1080. runtime 16:47. MP4) Emma has a few tightly tied together bunches of 3 month old balloons that have mostly oxidized.   With her incense stick she decides to pop them all gently using the intense heat at the end of the stick.  This is a clip like no other as the bunches of balloons move around on their own every so often as the popping of 1 balloon changes the elasticated dynamics of the bunch as they contort on their own.  As an estimate, 50% of the balloons pop with a heavy 'bang' and the other 50% deflate through the burn holes due to the oxidization.  This clip has been slightly edited for pace and so not every balloon pop is seen.  The audio track is tremendous as we've worked hard on ensuring the 'bangs' and whimpers of the air seeping out of the balloons can be heard as well as the noise of the balloons moving around on their own as the elasticity changes.  Due to the heavy processing work done on the audio there is an awareness of hissing/environmental noise but the incredible sounds presented in this clip wouldn't be possible without some kind of sacrifice.

(***** Camera.1920x1080. runtime *:**. MP4)